“Baltimore Prelude is a piece that summarizes my experience with the city of Baltimore. In my experience, Baltimore is a vibrant and energetic city, which I have enjoyed. The musical materials and fragments represent the highlights of my experience. Similar to the technique of montage in filmmaking, they are playfully interacting with each other and shifting the sonic image at a fast pace. It is a piece with energy and excitement, reflecting the various images of the city."
What a summer it’s been. Here are a few updates in case you missed them.
- Ben Goldberg was named Symphony Number One’s second Composer-in-Residence.
- Read Ben speak in his own words: Composer's Notebook: Ben Goldberg
- In July, SNO completed it’s summer funding campaign and raised more than $13,000. Thanks to all of our supporters for their tremendous generosity!
- Our fourth Call for Scores is underway! Composers, send in those scores. Learn more: Call for Scores 4.
I’m thrilled to be joining Symphony Number One in my new role as Composer-In-Residence for the 2017-2018 season. I’ve admired their mission since their inception, and it’s great to be aboard. I would like to thank Jordan Randall Smith and the administrative team for this significant opportunity. We have a lot of great projects in the works and I’m looking forward to creating some memorable musical experiences in the coming year.
Thanks to your support, Symphony Number One is pleased to bring you another great season of thrilling works new works by emerging composers. Earlier today, we reached our funding goal of $10,000, meaning that our project is now funded and our future is bright! Thanks to all of you for your support to serve our community with substantial works by living composers, powerful masterworks, and a twist of pop.
We'll be updating the website with tons of fresh information for Season 3, but for now, here's a quick preview page:
The question I most often get in regards to Approaching Eternity, is how one deals with composing a piece of its length. It doesn’t take much research to find that a piece combining the medium of a large chamber symphony with the breadth of an hour-long swath of time is a rarity in this period of music composition. It’s no fault of the composer here – many factors outside of the composer’s control (mostly economic) have contributed to the unfortunate and gaping hole in the repertoire that we now have, but now is the time to fill that space. But regardless, the composer of the 21st century isn’t normally expected to fulfill a commission like this, so how do we all go about it?
The piece is conceived as one large swath of music, with seven distinct sections that flow into each other without pause. Each of these sections is demarcated by a cryptic ‘totem’ that relates to a piece of visual art, poetry, literature, or even film, that served as a creative impetus for the section. The sections, when woven together, create a life cycle beginning with the first movement: Ode to the Abyss.
Now, for the first time, we are releasing a full-length album exclusively featuring emerging composers. More represents the best of Symphony Number One: three stimulating new works for chamber orchestra by a slate of three of the next generation's most promising voices, all lovingly prepared and performed in Baltimore.
FIRST LISTEN: Here's your first chance to hear Jonathan Russel's "Light Cathedral" in its entirety! Performed live at Light Street Presbyterian Church on April 9 and 10, 2016. Commissioned by Symphony Number One for Baltimore's inaugural Light City festival. Light Cathedral will be featured on our new album, More.
Last Friday, the Warnock Foundation named Symphony Number One to the fall class of Baltimore Social Innovation Fellows! Competing with 84 other entries narrowed down to 24 finalists, we proposed to work with West Baltimore's Innovation Village development district to provide free and severely-reduced-price concerts in West Baltimore that mirror our current offerings in Midtown and Downtown. We've already begun planning the first of these performances.