For the first time, the complete video of our performance of Gustav Mahler’s Das Lied von Der Erde (Song of the Earth) is available online. Happy Birthday to Gustav Mahler, born on this day in 1860.
SNO Co-founder and founding Concertmaster Nicholas Bentz was interviewed as All-Classical WBJC's inaugural Student Composer of the Month. Podcast host John Scherch talks to Nick about his future plans as a composer and violinist, his history with launching Symphony Number One and his perspectives as a composer. Nick even discusses one of the seven "totems" that guided his compositional process as he created Approaching Eternity for Symphony Number One. Listen to the podcast below:
Take a look at a new trove of photos from last April when we premiered Approaching Eternity by Nicholas Bentz in April of 2017 at Emmanuel Episcopal Church in Baltimore. Photo Credit: Dan Rorke.
Principal Cellist Mike Newman and cellist Rob Erb Kaufman perform Nick’s work with its challenging writing for strings.
Bassoonist Mateen Milan was an guest artist with the orchestra at the time, but later auditioned to join the group.
The composer in his own words: Nicholas Bentz gives a description of the basis for his sprawling new work, Approaching Eternity for Chamber Orchestra. just moments before the orchestra gives the second performances.
Take a look at this clip of Approaching Eternity, then learn more about our latest album (which includes Approaching Eternity), Approaching.
I’m thrilled to be joining Symphony Number One in my new role as Composer-In-Residence for the 2017-2018 season. I’ve admired their mission since their inception, and it’s great to be aboard. I would like to thank Jordan Randall Smith and the administrative team for this significant opportunity. We have a lot of great projects in the works and I’m looking forward to creating some memorable musical experiences in the coming year.
The piece is conceived as one large swath of music, with seven distinct sections that flow into each other without pause. Each of these sections is demarcated by a cryptic ‘totem’ that relates to a piece of visual art, poetry, literature, or even film, that served as a creative impetus for the section. The sections, when woven together, create a life cycle beginning with the first movement: Ode to the Abyss.
Now, for the first time, we are releasing a full-length album exclusively featuring emerging composers. More represents the best of Symphony Number One: three stimulating new works for chamber orchestra by a slate of three of the next generation's most promising voices, all lovingly prepared and performed in Baltimore.
A letter from Principal Horn and Director of Development, Selena Maytum. "
We have had a wonderful year of performing new music, gathering new audiences, and working with some amazing composers. One highlight for me was performing John Adams' Son of Chamber Symphony. That piece was one of the first "modern" compositions that I fell in love with as a horn player, and it was great to work with Jordan and the rest of our ensemble to bring it to life last May."
Light City was an innovative way to bring arts, technology and people together, and we had a blast sharing such spunky, imaginative, beautiful music to the public.
We here at Symphony Number One are thrilled to bring a fresh variety of musical flavors to your plate, and we're buzzing with excitement
An open letter from our Music Director. Jordan Randall Smith | Founder & Music Director
Dear Friends and Family,
Thanks to all of you, Baltimore now has a new cultural organization, Symphony Number One, and the internet has a new place for exciting and meaningful music by emerging composers. You helped us build it, you helped fund it, and you should be proud of everything that's come out of it!